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MultiChoice Talent Factory Graduates Class of 2020

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MultiChoice Talent Factory Graduands Class of 2020

MultiChoice Talent Factory (MTF) West Africa Academy graduated 20 students after 18 months intense training in film and television production.

The students’ academic course which was extended from 12 months to 18 months due to the pandemic gave them the opportunity of acquiring the MTF Academy qualification as well as an equally illustrious qualification from the prestigious New York Film Academy of Visual and Performing Arts (NYFA), making them more sought-after as they re-enter their respective local film and TV sectors as highly qualified industry professionals.

The students completed an intensive 3-week online NYFA course on the production of micro-documentaries, Public Service Announcements (PSAs), music videos and also worked with the United Nations on the global #PledgeToPause campaign. These exposed the young creatives to global networks, making them a part of the MTF alumni network, while also connecting them with industry professionals from across the continent through the MTF Portal.

Speaking at the virtual event which held yesterday, Chief Executive Officer, MultiChoice Nigeria, John Ugbe, stated that despite the difficulty that arose as a result of the COVID-19 pandemic, the students were able to quickly adapt to the transition from physical to virtual learning which is a testament to the world-class nature of the academy’s course.

“The MultiChoice Talent Factory is very close to my heart. It speaks to who we are as Nigerians, natural-born storytellers. Today we are here to celebrate the second cohort who were dealt a heavy blow by the COVID-19 pandemic but the challenge seems to have brought on even greater opportunities,” Ugbe adds.

The continued success of the MTF initiative since its start in 2018 is also rooted in its illustrious partnership with Pan-Atlantic University (PAU) as well as with internationally acclaimed organisations Dolby, Jasco Broadcast Solutions and Nihilent.

Awards as well as scholarships were given to students who excelled during the programme. Abisola Aboaba emerged the top performing graduate and won the NYFA 8-week scholarship in the United States of America, Julie Ako won an 8-week scriptwriting internship on an animation series from Nihilent Technologies, Gbenga Gomes won the Jasco Broadcast Solutions AVID media composer licence for the most-promising film video editor while Igho Arusi Avuirovarie emerged the most-promising sound engineer. In addition to these, the 4-week MNet internship in South Africa goes to Joshua Tsotso.

Eric Kafui Okyerefo, Chioma Paul-Dike and Avuiroevarie Igho Arusi won the CEO Award for Innovation for building Ekho media, a streaming platform for short films and content creators. The Award is a $1000 cash prize for each of them and a structured 1-year mentoring session with the CEO.

“This is a proud moment for everyone involved in ensuring that the students became graduates. It’s also been fulfilling to see just how in-tune this next generation of African storytellers are with the importance of being multi-skilled and intuitive creatives, “All these would not have been possible without the collaboration and commitment of our fantastic partners.” Ugbe concluded.

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The Evolution of Home Viewing in Nigeria

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There was a time in Nigeria when watching movies at home wasn’t strictly a “home” experience. People rented VHS tapes and later DVDs from local video clubs around the neighbourhood, and in many cases, viewing extended to video centres or where groups gathered to watch films and sports. It was a shared setup shaped by access, availability, and a very communal way of consuming entertainment.As time went on, analogue television became the main form of home viewing. Families would gather around a single TV set in the living room, with limited channels and fixed programming schedules. Content was not really something you chose; it was something you aligned your day around. Antenna adjustments were part of the routine, and despite the limitations, TV became a central part of everyday household life.The introduction of satellite and pay-TV services marked a major shift. Viewers suddenly had more control, more variety, and more access. Local and international content expanded significantly, covering movies, sports, news, and entertainment in a way that changed viewing habits from passive scheduling to active choice.This is where platforms like GOtv became relevant in the Nigerian context. By making premium entertainment more affordable and widely accessible, GOtv helped bridge the gap between content quality and everyday households. It wasn’t just about more channels; it was about making consistent access to entertainment more realistic for a wider audience.Today, home viewing has become more flexible and audience-driven. People are no longer tied to fixed schedules; viewing is now based on preference, timing, and convenience. At the same time, shared viewing still exists, especially around live sports and major TV moments, where entertainment becomes a collective experience again, just in a more modern form.From rented tapes and video centres to satellite TV and now more structured, accessible entertainment platforms, the evolution of home viewing in Nigeria has been a steady shift toward more choice and control. Throughout that journey, GOtv has remained part of the ecosystem, supporting how everyday audiences access and experience entertainment at home.

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AMVCA 12 Unveils Week-Long Celebration of African Film, Culture, and Creative Expression

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The Africa Magic Viewers’ Choice Awards (AMVCA) returns for its 12th edition with an expanded, week-long lineup of events under the theme “Honouring Craft, Celebrating Culture.” This year’s edition is set to spotlight the richness of African storytelling, recognise industry excellence, and celebrate the continent’s vibrant creative spirit.Scheduled to take place from May 6 to May 9, 2026, AMVCA 12 will bring together filmmakers, actors, creatives, and culture enthusiasts from across Africa for an immersive celebration of film, television, and cultural expression.The week kicks off on May 6 with Young Filmmakers’ Day, a platform dedicated to nurturing emerging talent and fostering the next generation of African storytellers. The event will feature masterclasses, panel sessions, and networking opportunities designed to equip young creatives with the tools and insights needed to thrive in the industry.On May 7, the spotlight shifts to Icons Night, an evening dedicated to celebrating industry veterans and trailblazers whose contributions have shaped the African film and television landscape. This night underscores the “Honouring Craft” pillar of this year’s theme by recognising the legacy and excellence of pioneers in the creative space.The celebration continues on May 8 with the much-anticipated Cultural Night, a vibrant showcase of Africa’s diverse heritage through fashion, music, food, and performance. As a true reflection of “Celebrating Culture,” the event highlights the beauty, identity, and traditions that define the continent.The week-long festivities will culminate on May 9 with the prestigious Awards Night, where outstanding achievements in film and television will be recognised across multiple categories. The ceremony promises an unforgettable evening of glamour, entertainment, and recognition of excellence within the African entertainment industry.The AMVCA 12 Awards Night will air live across all Africa Magic channels from 7:00 PM (WAT), bringing the excitement of the celebration to audiences across the continent.With this expanded format, AMVCA 12 continues to evolve beyond an awards show into a dynamic platform that honours craftsmanship, celebrates culture, and amplifies African voices on a global stage.

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Beyond Awards Night: How AMVCA Intentionally Celebrates Every Layer of the Industry

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There’s a bigger truth at the heart of every award season: an entire industry can’t be neatly packaged into a list of winners and nominees.It’s just not that simple.There are too many moving parts. Too many stories. Too many people doing the actual work on screen, behind the scenes, in rooms nobody sees, on sets that don’t trend, on projects that don’t always make the final cut of conversations.And yet, that’s what most award shows try to do. Wrap everything up in one night. Hand out plaques. Roll credits.But the Africa Magic Viewers’ Choice Awards (AMVCA) approaches it differently, and that difference shows in how the entire week is designed.Because instead of compressing the industry into one moment, AMVCA stretches it out. It creates space. It acknowledges that different parts of the industry need different kinds of recognition.Take Young Filmmakers’ Day, for example. This is not about who has “arrived.” It’s about who is coming. The ones still figuring it out, still building, still trying to get seen in an industry that doesn’t always make room easily. This day shifts the focus from applause to access. It says the future of the industry deserves its own spotlight, not as an afterthought, but as a starting point.Then there’s Icons Night, and this is where memory comes in. Because long before the current wave, before the buzz, before the visibility, there were people who held things together. Who created, contributed, and carried the industry in ways that don’t always translate into award categories. AMVCA makes room for that kind of recognition too, the kind that isn’t about competition but about contribution.Cultural Night does something else entirely. It reminds you that beyond the films and the series and the technical credits, there’s identity. There’s heritage. There’s a deeper layer to the work being celebrated. It’s expressive, it’s vibrant, it’s fun, but it’s also grounding. Because storytelling doesn’t exist in isolation; it’s shaped by culture, by language, by lived experience. And this night leans fully into that.And then, finally, Awards Night. The part everyone shows up for. The glamour, the wins, the reactions, the moments that will dominate timelines. It’s the culmination, the high point.But when you look at everything that happens before it, you start to realise something important:The awards are just one piece of the puzzle.What AMVCA gets right is understanding that the industry is not one story, it’s many stories happening at once. Some loud, some quiet. Some celebrated, some overlooked. And if you’re going to truly honour that, you have to go beyond a single night.So instead of trying to make everything fit into one frame, AMVCA expands the frame.And in doing that, it doesn’t just celebrate winners. It celebrates the work, the people, and the layers that make the industry what it is.

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