Entertainment
GOtv: A Brand Offering the Springboard for Local Boxing Talents
A new Nigerian boxing sensation emerged on May 1 at the Molade Okoya Thomas Indoor Sports Hall of Teslim Balogun Stadium in Lagos, when 16-year-old Raheem “Badoo” Animashaun emerged best boxer at the 31st edition of GOtv Boxing Night. ‘Badoo’ defeated his more experienced opponent, Samuel “Apata Roro” Moses in the fourth round of their national light welterweight challenge bout to take home the Mojisola Ogunsanya Memorial Trophy and the cash prize of N1 million attached. He became the third rookie boxer to win the prize, after two other Nigerian boxers, Opeyemi ‘Sense’ Adeyemi, and Rilwan ‘Babyface’ Babatunde, won the award at GOtv Night 18, and 21 respectively. These boxers have since risen to stardom on the GOtv Boxing Night platform and elsewhere, with their path to stardom an attestation to GOtv’s investment and commitment to boxing growth in Nigeria. For ‘Badoo’, Boxing runs in the genes. When GOtv Boxing Night birthed in 2014, his father, Jamiu “Rotor” Animashaun, was one of the professional boxers who graced the rings. ‘Rotor’ was on the bill at the second edition of GOtv Boxing Night held in 2015. On the other hand, “Babyface”, who rose to become the national, sub-regional and African Boxing Union welterweight champion, is a product of GOtv NextGen search, an initiative aimed at discovering and nurturing young amateur boxing talents. “Sense”, who currently plies his trade in the United States of America, is also a product of GOtv Boxing Night and was chosen at as the standout rookie at the fourth edition of the initiative in Abeokuta in 2018.While the GOtv brand continued to invest in talent development, GOtv Boxing Night, organised by Flykite Productions, has established a strong platform for Nigerian boxers to vie for world and regional titles. Taiwo “Esepor’ Agbaje is currently the biggest name on GOtv Boxing Night circuit, after he made the event his springboard to national and international recognition. The boxer, who has won the GOtv Boxing Night best boxer award more than any other, fulfilled his dream of becoming a world champion in December 22, when he defeated his Filipino opponent, Richard Taruc Pumicpic, to win the World Boxing Federation Intercontinental featherweight title at GOtv Boxing Night 27. Prior to Esepor’s feat, another Nigerian, Onoriode “Godzilla” Ehwariemi, won the World Boxing Federation intercontinental heavyweight title by defeating Ariel “Chiquito” Baracamonte of Argentina, at GOtv Boxing Night 20. This was followed by a double world title win for Nigerian boxers at the 22nd edition, where Rilwan “Real One” Oladosu and “Babyface” won the WBF world super featherweight and welterweight titles respectively.Likewise, GOtv Boxing Night has produced memorable career moments for Nigerian boxers on the regional front. At the last edition of the boxing fest, two Nigerians, Segun “War” Adeyemi, and Adeyemi “Spirit” Adekanla, battled each other for the West African Boxing Union (WABU) light welterweight title, with “War” emerging victorious. He thus joined the likes of “Real One”, Taiwo “Gentle Boy’ Olowu, Olaide” Fijaborn” Fijabi, Oto “Joe Boy” Joseph, Waidi “Skoro” Usman, and “Babyface”, on the list of Regional title winners on the GOtv Boxing Night stage. The GOtv Boxing Night platform has also provided huge international exposure to boxing talents. In 2017, Abolaji “Afonja Warrior” Rasheed, boxed for the then-vacant super welterweight Commonwealth title, in Sheffield England. In 2018, Waidi “Skoro” Usman, battled Azinga “Golden Boy” Fuzile in South Africa, for the vacant International Boxing Federation (IBF) Continental Africa super featherweight title. Similarly, “Baby Face” of the GOtv NextGen fame, vied for the World Boxing Organisation (WBO) Oriental middleweight title against Ukrainian Dymtro Mytrovanov in Kiev. For the three boxers, it was their first professional match outside the country’s shores. With GOtv Nigeria, and Flykite Productions, boxers on the local scene can continue to cling to the hope of actualising their career dreams, under the lights, or the night skies, when GOtv Boxing Night returns for the next edition.
Entertainment
The Evolution of Home Viewing in Nigeria
There was a time in Nigeria when watching movies at home wasn’t strictly a “home” experience. People rented VHS tapes and later DVDs from local video clubs around the neighbourhood, and in many cases, viewing extended to video centres or where groups gathered to watch films and sports. It was a shared setup shaped by access, availability, and a very communal way of consuming entertainment.As time went on, analogue television became the main form of home viewing. Families would gather around a single TV set in the living room, with limited channels and fixed programming schedules. Content was not really something you chose; it was something you aligned your day around. Antenna adjustments were part of the routine, and despite the limitations, TV became a central part of everyday household life.The introduction of satellite and pay-TV services marked a major shift. Viewers suddenly had more control, more variety, and more access. Local and international content expanded significantly, covering movies, sports, news, and entertainment in a way that changed viewing habits from passive scheduling to active choice.This is where platforms like GOtv became relevant in the Nigerian context. By making premium entertainment more affordable and widely accessible, GOtv helped bridge the gap between content quality and everyday households. It wasn’t just about more channels; it was about making consistent access to entertainment more realistic for a wider audience.Today, home viewing has become more flexible and audience-driven. People are no longer tied to fixed schedules; viewing is now based on preference, timing, and convenience. At the same time, shared viewing still exists, especially around live sports and major TV moments, where entertainment becomes a collective experience again, just in a more modern form.From rented tapes and video centres to satellite TV and now more structured, accessible entertainment platforms, the evolution of home viewing in Nigeria has been a steady shift toward more choice and control. Throughout that journey, GOtv has remained part of the ecosystem, supporting how everyday audiences access and experience entertainment at home.
Entertainment
AMVCA 12 Unveils Week-Long Celebration of African Film, Culture, and Creative Expression
The Africa Magic Viewers’ Choice Awards (AMVCA) returns for its 12th edition with an expanded, week-long lineup of events under the theme “Honouring Craft, Celebrating Culture.” This year’s edition is set to spotlight the richness of African storytelling, recognise industry excellence, and celebrate the continent’s vibrant creative spirit.Scheduled to take place from May 6 to May 9, 2026, AMVCA 12 will bring together filmmakers, actors, creatives, and culture enthusiasts from across Africa for an immersive celebration of film, television, and cultural expression.The week kicks off on May 6 with Young Filmmakers’ Day, a platform dedicated to nurturing emerging talent and fostering the next generation of African storytellers. The event will feature masterclasses, panel sessions, and networking opportunities designed to equip young creatives with the tools and insights needed to thrive in the industry.On May 7, the spotlight shifts to Icons Night, an evening dedicated to celebrating industry veterans and trailblazers whose contributions have shaped the African film and television landscape. This night underscores the “Honouring Craft” pillar of this year’s theme by recognising the legacy and excellence of pioneers in the creative space.The celebration continues on May 8 with the much-anticipated Cultural Night, a vibrant showcase of Africa’s diverse heritage through fashion, music, food, and performance. As a true reflection of “Celebrating Culture,” the event highlights the beauty, identity, and traditions that define the continent.The week-long festivities will culminate on May 9 with the prestigious Awards Night, where outstanding achievements in film and television will be recognised across multiple categories. The ceremony promises an unforgettable evening of glamour, entertainment, and recognition of excellence within the African entertainment industry.The AMVCA 12 Awards Night will air live across all Africa Magic channels from 7:00 PM (WAT), bringing the excitement of the celebration to audiences across the continent.With this expanded format, AMVCA 12 continues to evolve beyond an awards show into a dynamic platform that honours craftsmanship, celebrates culture, and amplifies African voices on a global stage.
Entertainment
Beyond Awards Night: How AMVCA Intentionally Celebrates Every Layer of the Industry
There’s a bigger truth at the heart of every award season: an entire industry can’t be neatly packaged into a list of winners and nominees.It’s just not that simple.There are too many moving parts. Too many stories. Too many people doing the actual work on screen, behind the scenes, in rooms nobody sees, on sets that don’t trend, on projects that don’t always make the final cut of conversations.And yet, that’s what most award shows try to do. Wrap everything up in one night. Hand out plaques. Roll credits.But the Africa Magic Viewers’ Choice Awards (AMVCA) approaches it differently, and that difference shows in how the entire week is designed.Because instead of compressing the industry into one moment, AMVCA stretches it out. It creates space. It acknowledges that different parts of the industry need different kinds of recognition.Take Young Filmmakers’ Day, for example. This is not about who has “arrived.” It’s about who is coming. The ones still figuring it out, still building, still trying to get seen in an industry that doesn’t always make room easily. This day shifts the focus from applause to access. It says the future of the industry deserves its own spotlight, not as an afterthought, but as a starting point.Then there’s Icons Night, and this is where memory comes in. Because long before the current wave, before the buzz, before the visibility, there were people who held things together. Who created, contributed, and carried the industry in ways that don’t always translate into award categories. AMVCA makes room for that kind of recognition too, the kind that isn’t about competition but about contribution.Cultural Night does something else entirely. It reminds you that beyond the films and the series and the technical credits, there’s identity. There’s heritage. There’s a deeper layer to the work being celebrated. It’s expressive, it’s vibrant, it’s fun, but it’s also grounding. Because storytelling doesn’t exist in isolation; it’s shaped by culture, by language, by lived experience. And this night leans fully into that.And then, finally, Awards Night. The part everyone shows up for. The glamour, the wins, the reactions, the moments that will dominate timelines. It’s the culmination, the high point.But when you look at everything that happens before it, you start to realise something important:The awards are just one piece of the puzzle.What AMVCA gets right is understanding that the industry is not one story, it’s many stories happening at once. Some loud, some quiet. Some celebrated, some overlooked. And if you’re going to truly honour that, you have to go beyond a single night.So instead of trying to make everything fit into one frame, AMVCA expands the frame.And in doing that, it doesn’t just celebrate winners. It celebrates the work, the people, and the layers that make the industry what it is.
