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What To Watch In April 2022 On DStv, GOtv

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April is only a couple of days away, so get ready to spice up your entertainment watch-list with these great shows and top-rated sporting action on DStv and GOtv.

In case you missed it, you can retain your current DStv or GOtv subscription price for up to 12 months when you reconnect before Thursday, 31 March 2022. With the PRICE LOCK OFFER, you get to beat the price increase and keep paying the old price when you renew every month before your subscription expires.



Keep reading to find out what’s hot this April:

TALK WITH TOKE MAKINWA

On Friday, 1 April, it’s a BBNaija reunion like never before seen as BBNaija queens, Tacha and Mercy, join Nigerian media personality, Toke Makinwa, to talk about their lives – and feud – after the BBNaija fame! If you are part of The Titans or The Mercenaries, this is not an episode you want to miss. The show airs on Honey Channel (DStv channel 173 & GOtv Supa channel 57) at 4:30pm.

Talk with Toke Makinwa



2022 FIFA WORLD CUP

Football fans on DStv and GOtv can start counting down the days to the 2022 FIFA World Cup in Qatar, with the tournament set to run from Monday, 21 November to Sunday, 18 December 2022 and provide the most thrilling distillation of ‘The Beautiful Game’. One of the major landmarks en route to the 2022 FIFA World Cup are the draws for the group stage on Friday, 1 April. Watch to see which countries will make up the ‘group of death’ at 5pm on SuperSport Grandstand (DStv channel 201), SuperSport Premier League (DStv channel 203), SuperSport Variety 4 (DStv channel 209), SuperSport Football (DStv channel 205 & GOtv channel 31) and SuperSport Select 2 (GOtv channel 34).

NIGERIAN IDOL SEASON 7

The search for this year’s Idol continues this Sunday at 7pm on AM Showcase (DStv channel 151), AM Urban (DStv channel 153 & GOtv channel 57) and AM Family (DStv channel 154 & GOtv channel 2). We said goodbye to two contestants, Precious and Joel last Sunday, which leaves 10 contestants still in the singing competition battling to reach the number one spot! Make sure you join the superstar judges, D’Banj, Simi and Obi Asika every Sunday to be a part of this journey.

WHO WANTS TO BE A MILLIONAIRE

We all missed the way this show kept us on the edge of our seats. I mean, it wasn’t easy watching people lose money but when they won, they won BIG! We get to experience all those feelings again, because Who Wants To Be A Millionaire is back with one of our favourite hosts, Frank Edoho! Tune in every Sunday at 8:30pm on AM Showcase (DStv channel 151), AM Urban (DStv channel 153 & GOtv channel 57) and AM Family (DStv channel 154 & GOtv channel 2).

WWE OPEN WEEKEND

The WWE Open Window is still on till Tuesday, 5 April. This means DStv customers on the Yanga and Confam packages as well as GOtv customers on the Jolli and Max packages can enjoy all the action from the latest episodes of WWE aired live on the WWE DStv channel 128 and GOtv channel 36 which are only available on the higher packages!

For more on what to watch in April, visit www.dstvafrica.com or www.gotvafrica.com and follow DStv on Twitter, Instagram and Facebook and GOtv on Twitter, Instagram and Facebook

Download the MyDStv or MyGOtv apps now to subscribe or upgrade or set up Auto-Renewal to stay connected without interruptions. Customers can also dial *288# to recharge.

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The Evolution of Home Viewing in Nigeria

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There was a time in Nigeria when watching movies at home wasn’t strictly a “home” experience. People rented VHS tapes and later DVDs from local video clubs around the neighbourhood, and in many cases, viewing extended to video centres or where groups gathered to watch films and sports. It was a shared setup shaped by access, availability, and a very communal way of consuming entertainment.As time went on, analogue television became the main form of home viewing. Families would gather around a single TV set in the living room, with limited channels and fixed programming schedules. Content was not really something you chose; it was something you aligned your day around. Antenna adjustments were part of the routine, and despite the limitations, TV became a central part of everyday household life.The introduction of satellite and pay-TV services marked a major shift. Viewers suddenly had more control, more variety, and more access. Local and international content expanded significantly, covering movies, sports, news, and entertainment in a way that changed viewing habits from passive scheduling to active choice.This is where platforms like GOtv became relevant in the Nigerian context. By making premium entertainment more affordable and widely accessible, GOtv helped bridge the gap between content quality and everyday households. It wasn’t just about more channels; it was about making consistent access to entertainment more realistic for a wider audience.Today, home viewing has become more flexible and audience-driven. People are no longer tied to fixed schedules; viewing is now based on preference, timing, and convenience. At the same time, shared viewing still exists, especially around live sports and major TV moments, where entertainment becomes a collective experience again, just in a more modern form.From rented tapes and video centres to satellite TV and now more structured, accessible entertainment platforms, the evolution of home viewing in Nigeria has been a steady shift toward more choice and control. Throughout that journey, GOtv has remained part of the ecosystem, supporting how everyday audiences access and experience entertainment at home.

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AMVCA 12 Unveils Week-Long Celebration of African Film, Culture, and Creative Expression

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The Africa Magic Viewers’ Choice Awards (AMVCA) returns for its 12th edition with an expanded, week-long lineup of events under the theme “Honouring Craft, Celebrating Culture.” This year’s edition is set to spotlight the richness of African storytelling, recognise industry excellence, and celebrate the continent’s vibrant creative spirit.Scheduled to take place from May 6 to May 9, 2026, AMVCA 12 will bring together filmmakers, actors, creatives, and culture enthusiasts from across Africa for an immersive celebration of film, television, and cultural expression.The week kicks off on May 6 with Young Filmmakers’ Day, a platform dedicated to nurturing emerging talent and fostering the next generation of African storytellers. The event will feature masterclasses, panel sessions, and networking opportunities designed to equip young creatives with the tools and insights needed to thrive in the industry.On May 7, the spotlight shifts to Icons Night, an evening dedicated to celebrating industry veterans and trailblazers whose contributions have shaped the African film and television landscape. This night underscores the “Honouring Craft” pillar of this year’s theme by recognising the legacy and excellence of pioneers in the creative space.The celebration continues on May 8 with the much-anticipated Cultural Night, a vibrant showcase of Africa’s diverse heritage through fashion, music, food, and performance. As a true reflection of “Celebrating Culture,” the event highlights the beauty, identity, and traditions that define the continent.The week-long festivities will culminate on May 9 with the prestigious Awards Night, where outstanding achievements in film and television will be recognised across multiple categories. The ceremony promises an unforgettable evening of glamour, entertainment, and recognition of excellence within the African entertainment industry.The AMVCA 12 Awards Night will air live across all Africa Magic channels from 7:00 PM (WAT), bringing the excitement of the celebration to audiences across the continent.With this expanded format, AMVCA 12 continues to evolve beyond an awards show into a dynamic platform that honours craftsmanship, celebrates culture, and amplifies African voices on a global stage.

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Beyond Awards Night: How AMVCA Intentionally Celebrates Every Layer of the Industry

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There’s a bigger truth at the heart of every award season: an entire industry can’t be neatly packaged into a list of winners and nominees.It’s just not that simple.There are too many moving parts. Too many stories. Too many people doing the actual work on screen, behind the scenes, in rooms nobody sees, on sets that don’t trend, on projects that don’t always make the final cut of conversations.And yet, that’s what most award shows try to do. Wrap everything up in one night. Hand out plaques. Roll credits.But the Africa Magic Viewers’ Choice Awards (AMVCA) approaches it differently, and that difference shows in how the entire week is designed.Because instead of compressing the industry into one moment, AMVCA stretches it out. It creates space. It acknowledges that different parts of the industry need different kinds of recognition.Take Young Filmmakers’ Day, for example. This is not about who has “arrived.” It’s about who is coming. The ones still figuring it out, still building, still trying to get seen in an industry that doesn’t always make room easily. This day shifts the focus from applause to access. It says the future of the industry deserves its own spotlight, not as an afterthought, but as a starting point.Then there’s Icons Night, and this is where memory comes in. Because long before the current wave, before the buzz, before the visibility, there were people who held things together. Who created, contributed, and carried the industry in ways that don’t always translate into award categories. AMVCA makes room for that kind of recognition too, the kind that isn’t about competition but about contribution.Cultural Night does something else entirely. It reminds you that beyond the films and the series and the technical credits, there’s identity. There’s heritage. There’s a deeper layer to the work being celebrated. It’s expressive, it’s vibrant, it’s fun, but it’s also grounding. Because storytelling doesn’t exist in isolation; it’s shaped by culture, by language, by lived experience. And this night leans fully into that.And then, finally, Awards Night. The part everyone shows up for. The glamour, the wins, the reactions, the moments that will dominate timelines. It’s the culmination, the high point.But when you look at everything that happens before it, you start to realise something important:The awards are just one piece of the puzzle.What AMVCA gets right is understanding that the industry is not one story, it’s many stories happening at once. Some loud, some quiet. Some celebrated, some overlooked. And if you’re going to truly honour that, you have to go beyond a single night.So instead of trying to make everything fit into one frame, AMVCA expands the frame.And in doing that, it doesn’t just celebrate winners. It celebrates the work, the people, and the layers that make the industry what it is.

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